Teapot prices increased by more than 30% year-on-year

This year's teapot is highly sought after. The 2011 Spring Guangzhou Tea Expo was held on May 26-30 at the Guangzhou Pazhou Zhongzhou Center. A live interview by the reporter learned that this year's teapot production orders have increased significantly and prices have increased by 30% to 50% year-on-year. In the field of collection, Zisha pottery “wen ya zhi zhi” is frequently at the auction frequently staggering astronomical price: At the China Guardian 2011 spring auction held in the recent, Gu Jingzhou and Han Meilin cooperated with a “handling tray pot” Taken for 11.5 million yuan. According to experts, the teapot with cultural connotation and investment value has already leapt into the mainstream collection field.

The market sales demand exceeds the bargaining price sky frequency is "This year's teapot market is particularly popular, orders have been scheduled to the second half of the." Guangzhou Tea Expo, "good tea house" pottery art Wang Bin told reporters, subject to inflation and real estate control Upgrades, downturns in the stock market, and the influx of hot money into the art market, etc., the price of teapots has generally increased by 30% to 50% over last year. Wang Bin said that the famous purple clay pottery artist and senior craft artist Tang Zhaoxia's lover Wei Qiang recognized: “The current market is that money can not buy the famous teapot. Take Tang Zhaoxia’s orders for delivery. I think that besides being affected by inflation and hot money pouring into the art market, I believe that drunken driving is also one of the reasons for the promotion of the tea industry.

On the Other hand, the teapot is even more expensive at auction! Gu Jingzhou and Han Meilin’s “Tiban Liang Pan” was successfully produced with 11.5 million yuan. “Qinglong Qianlong Royal Zizi Imperial Poem Jinyin Caishan Water Pattern Square Pot” was sold for 8.625 million yuan.... May 21st At the China Guardian 2011 Spring Auction, the three purple sand special achievements of “Purple Purple Purple”, “Zishi Communal Tibetan Contemporary Purple Sands”, and “Zishi Chunhua Modern Purple Purple Shabu” Excitedly, the total turnover exceeded 140 million yuan. According to expert analysis, the transaction volume reflects that the cultural connotation and investment value of the purple sand collection have been fully recognized by collectors. The purple sand collection has already leapt to the mainstream collection field.

“For example, Gu Jingzhou’s work, “Pot Art Artist”, this year’s bidding price has exceeded eight digits, and the transaction price for most works is several million RMB, such as “Yang Lie Ju Ke” and “Jing Lan Ju Ke” with 8.50 million respectively. And 7.475 million high prices, compared to last year's overall price has more than doubled.” Wang Li, senior manager of the art department of Guangzhou Jiade Auction Co., Ltd. summed up: “The top masterpieces and the old clay teapot boutique prices as a whole climbed, and the boutique is hard to find. The family will only accept the sale!” According to reports, the forthcoming “China Guardian 2011 Guangzhou Summer Auction” to be held on June 11 will focus on launching more than 100 masterpieces of fine teapots, including “Wang Xiaoxian’s loose pile pot”. “Wang Xiaochun made laughter and cherry pot”, “Zhou Guizhen made Wu Jing Tiliang”, and a group of masterpieces such as Lu Yichen, He Daohong, Jiang Jianxiang, and Chen Guoliang.

It is recommended that collections focus on self-use and pay attention to the old clay According to Wang Li, apart from the highly sought-after works of top-level pot-makers, the works of middle-aged and young masters and senior arts and craftsmen are also deeply loved by collectors. “In the field of collection, people value the relationship with Others. For example, Gao Zhenyu, the son of Zhou Guizhen, the master of arts and crafts of the country, has seen prices soaring in recent years. Even in a year, the price has more than doubled, and it’s now worth hundreds of thousands of dollars last year. A pot has climbed to a pot of more than one million yuan now." Wang Li explained: "According to the shape of the teapot, there are three main categories: flower, light, and sac. It includes representatives of the flower. There are Wang Shuxian, Zhu Kexin, Jiang Rong, He Daohong, etc. The main representatives of the light device are Gu Jingzhouu and Wang Jichun.The relationship between this teacher and Cheng is consistent. He Daohong and his high-foot Chen Guoliang have inherited and improved the thin-tire floral device. The Tibetan community sought after; Jiang Jianxiang, under the guidance of Wang Yuxian’s master, has made great advances in pottery, and his works have also been welcomed by collectors.”

"Not only to inherit, but also to absorb traditional nutrients on the basis of innovation." Tang Zhaoxia senior arts and crafts artist believes that the production of purple sand pottery is not a matter of overnight things, to consolidate in the inheritance, development in innovation: "First there must be Solid basic skills, such as playing mud tablets, I engaged in the production of purple sand pottery for more than 30 years, still daily to practice mud and film, this is the basic skills.In addition, I think that as an art technologist to develop, we must also strengthen Learning to improve all aspects of cultural accomplishment, so that the work made out of it is more artistic.”

"In terms of practical pots, in the past two years, as people's demands for quality of life have been continuously improved, the teapot has become increasingly sought after. Especially after the "Zizaomen" incident broke out, the market is increasingly pursuing the old sand and mud of raw ore. Obviously," Wang Bin said, the "Good Tea House" tea brand added pottery products last October. “I think that good pottery is a good pot with good craftsmanship. The teapot made from different clays is suitable for brewing different types of tea: for example, pots and mud made from red clay in the 1960s. Yellow in color red, especially in line with the color of raw Pu, used to make the best in brewing; 70 years of industrial purple jade mud, mud color is brown, color and noble, with bright and clear soup color of Tieguanyin, can be described as Hard and soft, with each other, and in the 70's clear cement, mud color rosy natural, delicate touch, the most suitable for brewing cooked Pu.” Wang Bin said.