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Yi dress color Yi dress color study what are the characteristics
Color is the common aesthetic pleasure, our most sensitive form factor. The color of a work of art always has an independent appreciation value. Color is one of the most expressive elements in artistic expression, and its nature directly affects our feelings. When we look at a work of art, we do not necessarily have to rationally recognize what we assume to have its color, but instead have a direct emotional response to it. Pleasing color rhythm and harmony to meet our aesthetic needs. The relationship between color and folklore has always been deep. The influence of color on Chinese culture is omnipresent and omniscient. Calligraphy, painting, photography, including literary creation, are inseparable from the color performance and color aesthetic. Yi traditional folk culture which covers a lot of color elements. The color is in harmony with the traditional folk culture of the Yi nationality, complementing each other. Color realistically and directly reproduces the Yi traditional folk culture of this object, and to create the illusion of space effect. People perceive through color to reproduce one or more aspects of Yi folk culture. Yi culture as the color smear beautiful and ashamed of a stroke, the color in the depth of field has been a new expansion. The traditional folk culture of Yi is all-encompassing. This article tries to extract some aspects from the analysis of the fusion between color and it. First, from the Liangshan Yi lacquer art to see the traditional Yi folk culture black and red yellow three color lacquer in the Liangshan Yi language collectively referred to as "ancestral several Da Su." About 57 generations ago, about 1600 years of history. The Yi nationality has long been known as "Logo" in the history of the artisans. Liang Yi's artisans of Yi nationality have created fine and simple folk articles for generations. They are an important component of the Yi culture and artifacts, especially black, red and yellow Tri-color lacquer is the most unique. Yi, red, yellow, black tri-color paint lacquer in the traditional culture of Yi is unique. Yi lacquer variety, traditional lacquer mainly wine, tableware, harness, armor, law with more than 20 species. The raw materials used in lacquerware are high-quality "Bauhinia" wood grown in the alpine region above 3500 meters above sea level as the embryo, using precious natural materials such as soil paint, silver vermilion, stone yellow, etc., using traditional manual techniques, douche and paint, Bone selection and handling, horizontal twist wood, color and painted dozens of processes refined. Liangshan Yi lacquer ornamentation characteristics of natural realism. Patterns from nature, from life. Most of the painted patterns are abstract and abstract geometric patterns, such as the sun and moon stars, mountains and rivers, birds and animals, flowers and trees, as well as the rich local cultural and religious beliefs in humanities and other maps. Its decorative combination of full, well-behaved, thickness, density and care, production methods are painted, carved, inlaid, heap paint and so on. The color of lacquer ware uses the traditional black, yellow and red tricolor, solemn black, beautiful yellow and warm red of the Yi nationality to form the geometric pattern with rich ethnic style and has rich cultural connotation. Black, red, yellow color intricate deployment, interval use, the tone is red, yellow and black paint on the bottom of the formation of a distinct warm, strong, light and dark contrast. Bright and vivid color, bold and simple, clear lines, smooth lines, lively and free, concise and lively, bold and bold, elegant solemn, form a sense of space, resulting in a harmonious rhythm. Lacquer reflects the trio advocate of Yi people, has a convention of cultural symbolism: black said noble and dignified; red symbolizes courage and enthusiasm; yellow represents beauty and light. Lacquerware is also related to folk beliefs of the Yi ethnic group. For example, the lacquer cups, horns cups and other drinking utensils with distinctive styling features in lacquerware are directly painted on the animal body and are painted in natural colors. It not only reflects the concept of totem of Liangshan Yi ancestors, but also reflects the simple and courageous Yi nationality temperament. The production of Liangshan lacquer has undergone a process of handcrafting workshop-to-factory products that produce lacquer ware based on the traditional production methods of Apu. State local Shide County and Zhaojue County is the main production of lacquer production. The products produced by the factory are not exactly the same as the lacquer ware produced by the village traditional way. The handmade products in the village are dull, rough and with a folk-smelling texture. The factory products use glossy red and yellow paint to draw the pattern. The yellow color is more emphasis on the citric than the yellow-brown color, making the color matching of the three colors of the lacquer ware more Bright, shiny, good texture. Second, from the Liangshan Yi's costume culture to see the color of traditional Yi culture Liangshan Yi costumes, colorful, unique style. Historically, due to the large number of Yi ethnic minorities and their scattered residences, there are obvious differences between the costumes and dress styles in different places and with rich geographical colors. From a regional point of view, Liangshan clothing can be divided according to Connaught (the eastern part of Liangshan), St. Chard (Liangshan Northwest), where (Liangshan Southern) three styles. Liangshan Yi costumes rich colors, with color or bold hot, contrast or subtle elegance, color soft. It can be said that the use of colorful colors enrich the full Liangshan costumes culture, Liangshan colorful costumes and culture will also provide the color of the research and use of another stage. Liangshan Yi Boys four or five years old, the head to leave a square top hair, the Chinese call it "God Bodhisattva." Think it can dominate the good and evil, no one can touch, tease. Adult men most of the head wrapped in blue-blue cotton headdress, headdress more than the tip of the tip into a cone-shaped, slightly above the forehead left, the Chinese name "hero knot." Baby boy perforation of the left ear, wearing a long earrings that ring. Adult man wearing yellow honey wax boulder ear beads, red beads on the phase contrast, suspended under the tassel. Occasionally wear bamboo head color small hats. Yi men's shirts are generally light blue, dark blue, navy and other colors, use more cotton cloth. Front, back, cuffs pick all kinds of patterns. Enoch, St. Chardonnay young men shirt decorated with flowers, beautiful and women's clothing. The area where the men's shirt, decorated with plate buckle, colorful edge up to 10 centimeters, arranged on the right, buttons for the quality of metal, huge shiny disk buckle dotted plain clothes. Bottoms are generally light blue, dark blue, blue and other colors, tie trousers tie flowers. Trousers the size of the area with the close contact. Widely up to one or two meters. Wearing a shoulder chest diagonal, worn with leather trim, red cloth piping lining, on the white size of conchone chips. Commonly known as the hero belt. Men tend to use pizks, musk, boar teeth, tiger claws, white bear claws, etc. as pectoral objects, passing the spell cloth (red or blue) of Bimo (the wizard), almost all of them. After the Yi girls have developed their hair, the braids are braided straight behind the brain. Eight, nine years old, will be a single braid plate around his head, braid suffix with red cotton. When married married cardigan braid, cross-pressure in the headdress. Saint Seiya region young women wearing red double-faced embroidered embroidered headdress. Eno area is one or two meters blue cloth folded into several layers on the head. The area is a long strip of green cloth, floral ties, folding his head. All three areas will be a child after the change of hat. St. Chardonne, according to Connaught area replaced by lotus-shaped cap, the area replaced by bamboo green cloth dome hat. There are also black cloth wrapped around the head. Before the age of a woman, the ear often hung red green beads, as large as peas, Department of red cotton wear in the ears. Earrings are worn when adult or combed. Earrings for coral, silver bubble, stone ear beads, jade, shellfish, silver ear brand. Mostly a star. Silver or copper style more. Women's shirt placket, front, collar and cuffs with a color pick a pattern. Neckline surrounded by gold, silverware, jewelry and jade. Some decorated with plate buckle, with color silk wound, different shapes, very ingenuity. Women pleated skirts, with a wide cloth and narrow cloth inlaid with inlaid. Child skirts to red, white, or a few colors, youth to red, blue and white and white, old age to blue, blue or blue and white and white. Wool skirts in the region where the texture is soft and elegant, the middle barrel narrow and long, red, the next section blue fine fold uniform, the next between the horizontal to red, white, black and red stripes, color harmony, then the next is cyan, knee Pleated scattered, into a trumpet-like. Line folds flashing, light and elegant. Yi men and women are outside the "Chalwah" and Phi blankets. "Chalba" shaped cape, with twined coarse wool sewing fabric, usually 13, each width 78 meters, more dyed for the dark blue also does not stain the pure white. The most gorgeous in the area of ​​St. Chas, with red, yellow-edged borders and a cyan lining at the edges and a 30-cm rope cord hanging from the bottom. Phi mat with about two kilograms of wool rolling, thin as copper coins, folded to 6 cm wide folds, usually 30 to 90% off, the top with wool rope collar. Mostly primary colors or blue. "Chalvat" and Phi felt is essential for the Yi men, women and children, clothing for the day, the night was, stop the snow, cold and heat is not easy. From the clothing color point of view, the general young men and women clothing colorful, like the use of red, yellow, green, orange, pink and other contrasting colors, pattern variety. Middle-aged people wear patterns less than young people, the use of color sky blue, green, purple, green, white and other colors, elegant and solemn. Elderly people with blue, blue cloth, do not generally do flowers, blue or blue skirts only to Tsing Yi for the decoration. Clothing patterns, lace, full of rich ethnic color and life style. At the annual Yi Torch Festival in Buwa County, whether in the surrounding area of ​​the cottage or in the streets, many girls with yellow umbrellas walked in a row and dodged Dolohe. Fewer than a dozen, more than dozens of dozens of different, wearing bright spotted costumes, decorated with the same silver moonlight, silver jewelry rushed away, attracted others have eyebrows. Cloth dragging the past there is no yellow umbrella, people are the rain on the body by the clogs, from the seventies of last century, the love of the black BUO Yi Yi Huang Cucan love of yellow paper umbrella. Yellow umbrella has now become an indispensable part of Yi Women's Torch Festival ornaments. Whether clear Yin, Burau girls are always yellow umbrella plus body. The torch festival, cloth drag women's body mainly black, head is a black or blue hat, upper body is a rectangular black mat, with the following smart black and white and blue pleated skirt form the best combination of movement, It also forms the tri-color of the Burao Torch Festival: black, white and yellow. Black was Founder, Huang Cheng arc, white line surface. Because of horse racing, bullfighting, cockfighting, fighting sheep and wrestling, the venue is generally round, surrounded by many people watching, crowded to suffer the yellow umbrella over the field, constitutes a yellow umbrella circle children. The yellow umbrellas leading to the torch field Field Roads Moving slowly from the lush fields and the rugged hillsides to the torch field, a flowing yellow umbrella of dragons surrounds the glabrous surrounding Baogu. Torch field competition, the hillside is always full or full of spectators, many people umbrella, in a yellow umbrella of the ocean, people can not tell whether the yellow umbrella in the clouds or clouds in the yellow umbrella. Burau girl mostly shy, the tourists for their photography, the umbrella blocked in front of the girl's face disappeared, the lens left a yellow, umbrella seems to be a wall of shame. The use of yellow in this get the most extensive publicity, from a certain extent, the achievements of the Yellow Sea umbrella Liangshan a unique traditional culture. In the use of color, we may like some color, but also refused to cooperate with the other. In Liangshan ethnic costumes, what color of the fusion are so bold and direct, people strongly feel from the natural, from the traditional culture of life brought visual hit and visual beauty. Third, from the historical level of Yi people in Liangshan Yi traditional ethnic folk culture of color factors Liangshan Yi was called "black Yi", "Bai Yi." The Yi people did not have "black and white red", "Black Yi" and "Bai Yi" came from? In this way, the use of color to describe and define the level of distinction, is extremely rare in other peoples. Liangshan Yi said "black Yi" as "promise", "white Yi" called "song." "Connaught" and "song" is Liangshan Yi inherent language. The "black Yi" and "white Yi" is an external comment language. In the case of the county of Liangshan in Liangshan Prefecture, the concept of "black" and "white" are used to distinguish the two sub-groups of the Yi nationality. Yier Juehe as a boundary, Hexi is "white" area, east is "black" area. There are some differences between Bai Yi and Hei Yi not only in language but also in dress, customs, weddings and funerals. For example, in the costumes, the Yi people in the Yi district prefers to dye "Chalba" into black, and the dye is more often mixed with pig's blood and pots of smoke. Chalba Baiyi District is not dyed color, and more use of white wool made of high cost. Women's apparel embroidery in Baiyi District is more distinctive. The clothes are mostly bright red and purple, the colors of silk used for embroidery are rich and varied. However, the Yi nationality in the Yi Autonomous Region often use black cloth or blue cloth as the base of clothes. The embroidery threads use green Color is more bleak. Since "Connaught" and "Qu" have been misunderstood as "black" and "white", some Yi people themselves are influenced by their symbolic meanings and show different sub-ethnic identities. In correspondence with "black" (promise), we must emphasize "white." Color as a symbol of the expression of different ethnic identity. Judging from the people in the areas under the rule of the Tusi areas, the barbarity and uncivilization of the "promise" areas are not good and are consistent with what the Chinese call "barbarians." And they are civilized and are close to the government. Okay, so I emphasize white. In the eyes of those who live in the promiseland, they are authentic Yi people, retaining the Yi tradition and not submitting themselves to the government forces. They do not want to follow the Han nationality blindly. There may be such a reason for the distinction between "Wu Man" and "Ba Man" in the historical documents. Proceeding from the dominant Chinese language, the Kai Yi people are Baiyi and the other is the Black Yi. It happens to couple with the self-proclamation, grade and color of the Yi people in Liangshan County. Therefore, the phenomenon of separating the Yi nationality into two kinds of black and white appears. To talk about the research of color from the extension of the history of traditional culture must be based on scientific facts and require clear and systematicness. Therefore, this textual research, we also do not make conscious far-reaching discussion. Studying the relationship between color and related traditional culture has a positive meaning to help us further understand the color, use color, create and expand the subject matter and creative forms of the artwork, and it is of positive significance to carrying out the art education in the university better.